Overall, the film is immensely overdrawn, with near-endless redundant and repetitious material dragging the film down, while Lars von Trier's overly steady, limp and even rather arrogant direction, combined with Robby Müller's overstylized and bland cinematography, dulls the film down and distances its emotional resonance, until the final product finds itself crawling along as underwhelming, though not to the point of eventually collapsing as anything less than decent, as a consistent degree of engagement value goes spawned from a worthy story, brought to life by a myriad of inspired performances, with Stellan Skarsgård delivering a mostly restrained but ultimately piercing performance, and a then-newcoming Emily Watson delivering a consistently powerful lead performance that makes for a strong debut and helps greatly in making "Breaking the Waves" (Man, that title is awesome) an ultimately watchable and generally engaging drama, regardless of its being tainted by its own ambitions. Cinemark Jan must soon return to his job on the rig, however, where he is paralyzed from the neck down in a freak accident. Lars von Trier isn't really a bad storyteller, though his methods are certainly flawed, especially with this film, as he tells the story very dryly, manipulating the immense looseness of the film to emphasize meditativeness, when really, it only emphasizes von Trier's limpness as a storyteller, thus creating a distance with the story flow, thus creating some sort of emotional distance. Even if a film's execution of a strong story isn't as good as it should be, a strong story concept can go a long way, and while this film's story isn't terribly stellar, or even all that terribly original, it's still worthy and fascinating, with complexities and depth that may not go played up all that much by Lars von Trier, as director, but can be noticed enough within the film's concept to earn your attention, and by extension, your investment. A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town she finds out that their support has a price.
Bess, on the other hand, sees it as an expression of her devotion to Jan that even God won't be able to ignore. Breaking the Waves subtitles. It is curious to see how Lars von Trier uses a number of plot elements and devices that could be simply considered too hard to buy and more appropriate in a soap opera, and yet he manages to make everything so touching and genuinely devastating, with a powerful performance by Emily Watson. We want to hear what you have to say but need to verify your email.
A Guide to the New TV Shows of Fall 2016 On this IMDbrief, we break down our favorite panels and surprises from July 2020's Comic-Con@Home.Keep up with all the biggest announcements and updates with IMDb's breaking news roundup of Comic-Con@Home 2020.Want to share IMDb's rating on your own site? Where von Trier's storytelling could have brought this film to a downfall, the worthiness of the story leaves the final product to transcend almost to the point of decent, while what secures the final product's being above mediocre is, of course, the acting. R (adult situations/language, sex, violence) Love is a mighty power.. It's a remarkable achievement for all concerned, with Katrin Cartlidge, as Bess's widowed sister-in-law, sharing the acting laurels with the radiant Emily Watson, and writer/director Lars von Trier building the emotional and dramatic intensity ... ~ Don Kaye, Rovi
Stellan Skarsgård captures his Jan Nyman characters' initial down-to-earth good-heartedness with smooth, human charm, yet when tragedy strikes and changes Nyman's life forever and for the worse, Skarsgård crushes with an intense presence of anguish and uncertainty as he endures the impossible and ponders upon the unthinkable, thus leaving him to change into a different and more disturbed person, and while such a performance is mainly written to be rather restrained, when Skarsgård delivers, he cuts deep and leaves you fully locked into Nyman as a fully realized and struggling man. For a brief time, the couple enjoys peaceful wedded bliss, with the worldly Jan introducing Bess to the mysteries of sex. All rights reserved. I loved the acting, I thought both Watson and Skarsgard deserved Oscar.
Okay, maybe they're not that freaky; in fact, in Waton's youth, those eyes were actually pretty pretty, but they're still so bizarrely distant that I pretty much was expecting her to, somewhere along the way in this film, end up in the water and high for some reason, so that her pupils would dilate and she really would break the waves, shark style. April 15, 2014 Von Trier's masterpiece and the best use of a Rod Stewart song in a movie. 60,065 votes Genres Drama, Romance. | Report this
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