Hoffman developed a spatter and drip technique that actually came before Pollock's drip pieces.Hofmann explored the irrational concepts of surrealism along with conscious feeling of perception.
In 1963, Hans Hofmann, age 83, arranged to give 45 paintings and a very substantial sum of money to the University of California at Berkeley. Size of work Signature Date created Research Hans Hofmann. He brought with him a deep knowledge of French art, gleaned from years spent in Paris before World War I, and this proved crucial in spreading European modernist styles and ideas in the United States. "In 1915 when he opened the Hans Hoffman School of Fine Arts in Munich, Hofmann stressed not the imitation of the appearances of nature but "the artistic experience evoked by objective reality and the artist's command of the spiritual means of the fine arts..." After teaching at the University of California, Berkeley, and the Chouinard School of Art in Los Angeles, Hofmann settled in New York when he was forced to close his Munich school in face of the disastrous political situation; by the mid 1930's he had opened his school in New York, with summer sessions in Provincetown, Massachusetts. This tension is evoked in Hoffman's signature works. This involves the dynamic interplay between between recognizable image and abstract shape, between spontaneity and control, and between foreboding irrationality and joyous affirmation.One of the most vital artists and influential teachers of his time, Hans Hofmann is distinguished for bringing about a synthesis in nonobjective mode of the spatial tenets of Cubism and the coloristic gestural paint handling of Expressionism. Hans Hofmann is known for abstract expressionist painting, art teaching. Already 64 by the time of his first solo exhibition at Art of This Century in New York in 1944, Hofmann balanced the demands of teaching and painting until he closed his school in 1956.
Here his father took a job with the government. Hofmann’s evolution from foremost modern art teacher to pivotal modern artist brought him into contact with many of the foremost artists, critics, and dealers of the twentieth century: Henri Matisse, Pablo Picasso, Georges Braque, Wassily Kandinsky, Sonia and Robert Delaunay, Betty Parsons, Peggy Guggenheim, Lee Krasner, Jackson Pollock, and many others. In his review of the retrospective, critic Posthumous retrospectives of Hofmann's work include shows at the Hofmann was renowned not only as an artist but also as a teacher of art, both in his native Germany and later in the U.S. His value as a teacher lay in the consistency and uncompromising rigor of his artistic standards and his ability to teach the fundamental principles of postwar abstraction to a diverse body of students.In the U.S., he initially taught a summer session at the Despite being credited with teaching a number of the most gifted women artists of the period—at a time when they were still somewhat rare—Hofmann has sometimes been described as exhibiting a “straightforward male chauvinist posture.”Hofmann's influential writing on modern art have been collected in the book Hofmann held a strong conviction about the spiritual and social value of art.
Though the path through the exhibition is long and weaving to Hofmann’s mature work of the 1950s and ’60s, the exercise serves its purpose. This tension is evoked in Hoffman's signature works.
Rare signed card with his printed image at left, 4"x3", darkly penned in black ink, adding "Dresden." Hans Hofmann, 1949, photographed by Bill Witt in Provincetown, MA. Hofmann became a US citizen in 1941.The recognizable imagery in Hofmann's landscapes and still lifes of the 1930s gave way in the 1940s to abstraction based on the rhythms of nature. Signatures, monograms, biography and art prices by Hans HOFMANN, 1880–1966, Germany. More info . His successful career was shepherded by the postwar modern art dealer Sam Kootz, secured by the art historian and critic Clement Greenberg, and anchored by the professional and personal support of his first wife, Maria “Miz” Wolfegg (1885–1963). Summary of Hans Hofmann. This involves the dynamic interplay between between recognizable image and abstract shape, between sponta Celebrated for his exuberant, color-filled canvases, and renowned as an influential teacher for generations of artists—first in his native Germany, then in New York and Provincetown—Hofmann played a pivotal role in the development of Abstract Expressionism.
Hofmann explored the irrational concepts of surrealism along with conscious feeling of perception. Attributed to Hans Hofmann (1880-1966, American). Hans Hofmann (1880-1966) was a pivotal figure in Abstract Expressionism and stands as one of the most important characters of post-war American art. From his early landscapes of the 1930s, to his “slab” paintings of the late 1950s, and his abstract works at the end of his career upon his death in 1966, Hofmann continued to create boldly experimental color combinations and formal contrasts that transcended genre and style.
Freudenberg became Hofmann's patron over the next decade, enabling him to relocate and live in Paris with Miz.Between 1933 and 1958, Hofmann balanced his studio work with teaching, and as he did in Paris, immersed himself in (and influenced) New York's growing avant-garde art scene.
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