Cage Elephant Melophobia. This summer, Prieto will head to the studio to record his first big band album, This week at The Jazz Gallery, Prieto will convene his long-running Si o Si Quartet for two nights of performances, including a special reception on Thursday evening where you can get a chance to meet Dafnis and help bring this exciting new album to fruition.
We’re going to record at the end of August and are really pushing ourselves to make the elephant fly! THEN ELEPHANT SPEAKS is no exception. Mini Golf, Softness & Strength: An Afternoon with Diet CigEssential Releases: ’70s Jazz, Baroque Metal, Zulu Rap and MoreEssential Releases: Taiwanese Grind, Vaporwave Rock, Jazz Fusion and More You get 4 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released. Everybody has their own summer activities! Steve and Henry are going to be special guests on the recording as well.
supported by Pre-order of Pink Elephant.
Wavelength 7. Since I’ve already done so much in the creation of the music by writing and arranging it, I want to just let it flow when we perform and be more of a listener. At that time, they were working with Jazz at Lincoln Center and they commissioned me to write something for their concert. First, it’s that I’ve had the experience of playing with a few big bands in the past—I did a recording with the Bebo Valdes big band, for one—and I’ve always been curious about how my music and my ideas would sound in a larger format.
Meandering guitars, laid-back vocals, and catchy choruses make this the perfect end of summer album. Punchy pop-rock from Perth that balances gritty guitar work with wry hooks. This emotive pop-rock LP was released in memoriam of band member Kyle Yorlets, and 1/2 of all proceeds will go to a scholarship in his name. It welcomes you into the music. The instruments, whether they be piano, harp, vibraphone, electric guitars, or electronics, build patiently, gathering up … I already had a sense of completeness with these pieces, whether they were for a quartet or sextet.
Eviligo 6. That’s one thing that I’m really excited about—to present a new kind of big band sound.DP: When I was a child in Santa Clara, Cuba, I used to listen to a local big band that was very strong, filled with great musicians. Certain techniques might remind me of something that I heard elsewhere, but overall, I’m definitely not thinking in terms of copy and paste, or imitation. Many of them came from recommendations from people I play with a lot, so everyone has some connection to the kinds of things I like to do. We at Jazz Speaks caught up with Dafnis by phone to talk about the challenges of writing for this new medium and the importance of the big band sound to the Cuban jazz tradition.Dafnis Prieto: It’s a combination of a few things.
In terms of dealing with inspiration, whether in the big band form or elsewhere, I’m trying to do it in as sincere a way as possible.
So I’ve picked the ones who have been closest or the most relevant to me in this moment, including people that I’ve gotten to work with in the past—like Eddie Palmieri, Steve Coleman, and Henry Threadgill. First, it’s that I’ve had the experience of playing with a few big bands in the past—I did a recording with the Bebo Valdes big band, for one—and I’ve always been curious about how my music and my ideas would sound in a larger format.
The Jazz Gallery: This is a blunt question to start with, but why put together a big band and why now?
Right away it seemed, there were great Cuban singers working with big bands, like Beny Moré.
This is just going to be larger, but mostly the same approach—that’s who I am as a player. And in terms of the mambo style, all of those big hits were with big bands.DP: The piece that Steve Coleman is going to record is one of the pieces I wrote for the Afro-Latin Jazz Orchestra, “Song for Chico.” Since the beginning of writing this piece, I thought that I’d like to marry two different kinds of sounds, and it reminded me of the recording Charlie Parker did… I can’t remember the name of the album right now… but I wanted to have that sound with a more jazz-oriented alto player on top of a more Cuban background. In that form, the big band has been inherited by Cuban culture, basically since the format was developed.
Ouch: Ouch Game Gravity-A-Boing-Boing. Pink Elephant by Stand Atlantic, releases 07 August 2020 1. I had new ways of manipulating how a musical idea comes out, making it sound as rich as possible with all the various timbres of the orchestra.
I hit a wall a few times trying to figure out what else to do with them. Even though they sing about injustice and being generally fed up with the male species, Camp Cope play like they’re having the time of their lives. Already a MacArthur “Genius Grant”-winner and a multiple Grammy-nominee, drummer and composer Dafnis Prieto is still not done pushing his art in new directions. I feel the point of this big band is that I haven’t heard these kind of sounds in that format before. If you like Stand Atlantic, you may also like: It was definitely fun writing for his personality in relation to the main musical idea that I was playing with.DP: I’ve certainly always done that in smaller configurations.
Harder: Harder Game Ride on Remora.
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